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  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA

ALBERTO CAMPO BAEZA

HOUSE OF THE INFINITE CÁDIZ 2014

From the Publisher

HOMES
The necessity for this series is to be found in the following consideration: that the discourse of the architectural project is today of an extreme solitude. This discourse is spoken, perhaps, by thousands of architects (who knows?), but warranted by no one; it is completely forsaken by any discourse on constructed space: ignored, disparaged or derided, severed not only from authority but also from the mechanisms of authority (universities, publishing, tenders). The design language of recent years has been dragged into the digression of the untimely and exiled from all forms of frequentation with the most qualified discourses on contemporary architecture. We feel there is no recourse but to become the site of an affirmation, to again assert the central importance of the project. That affirmation is, in short, the subject of this series of publications.

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ÁLVARO SIZA  LEÇA DA PALMEIRA SWIMMING POOL 1966  PHOTO ESSAY BY NICOLÒ GALEAZZI
2001. JOYPARK. RUMELANGE PHOTO ESSAY BY MAXIME DELVAUX
DARIO PASSI  FAUL VALLEY  VITERBO 1980
HANS VAN DER HEIJDEN  PERSOONSHAVEN ROTTERDAM 2018
LOUIS I. KAHN THE ARTS UNITED CENTER IN FORT WAYNE 1959  PHOTO ESSAY BY CEMAL EMDEN
GIOVANNI MUZIO CASE BONAITI E MALUGANI MILANO 1935  PHOTO ESSAY BY LUCA SIRONI
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