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  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA
  • ALBERTO CAMPO BAEZA

ALBERTO CAMPO BAEZA

HOUSE OF THE INFINITE CÁDIZ 2014

From the Publisher

HOMES
The necessity for this series is to be found in the following consideration: that the discourse of the architectural project is today of an extreme solitude. This discourse is spoken, perhaps, by thousands of architects (who knows?), but warranted by no one; it is completely forsaken by any discourse on constructed space: ignored, disparaged or derided, severed not only from authority but also from the mechanisms of authority (universities, publishing, tenders). The design language of recent years has been dragged into the digression of the untimely and exiled from all forms of frequentation with the most qualified discourses on contemporary architecture. We feel there is no recourse but to become the site of an affirmation, to again assert the central importance of the project. That affirmation is, in short, the subject of this series of publications.

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LOUIS I. KAHN INDIAN ISTITUTE OF BUSINESS AHMEDABAD 1962  PHOTO ESSAY BY CEMAL EMDEN
JAN DE YONG   HOUSE WITH STUDIO. SCHAIJK 1956 PHOTO ESSAY BY KIM ZWARTS
E2A   TAZ HEADQUARTERS BERLIN 2018 PHOTO ESSAY BY RORY GARDINER
ÁLVARO SIZA  LEÇA DA PALMEIRA SWIMMING POOL 1966  PHOTO ESSAY BY NICOLÒ GALEAZZI
LEON BATTISTA ALBERTI THIS THEN IS THE ARCHITECT
MONADNOCK  ATLAS HOUSE EINDHOVEN 2016
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