- Elements
- Cities
- AarhusAbu DhabiAhmedabadAlicanteAmsterdamAntwerpAthensBangkokBarcelonaBaselBeijingBeirutBerlinBilbaoBolognaBordeauxBrasíliaBrusselsBudapestBuenos AiresChandigarhChengduChicagoCiudad de MéxicoCoimbraCopenhagenCórdobaDohaDresdenDubaiDublinFlorenceFrankfurtGenevaGhentGöteborgGranadaHamburgHangzhouHavanaHelsinkiHong Kong - ShenzhenIstanbulJerusalemKrakowKyotoLausanneLisboaLondonLos Angeles
- Houses
- African HousesAmerican HousesArgentinian HousesAustralian HousesAustrian HousesBalkan HousesBaltic HousesBeach HousesBelgian HousesBrazilian HousesBritish HousesCanadian HousesChilean HousesChinese HousesConcrete HousesCountry HousesCroatian HousesCzech HousesDanish HousesDollhousesDutch HousesEast-European HousesFrench HousesGerman HousesGreek HousesHoliday HousesHouses by ArtistsHouses for ArchitectsHungarian HousesIcelandic HousesIndian HousesIrish HousesIsraeli HousesItalian HousesItalian Rural HousesJapanese Non-Urban HousesJapanese Urban HousesKorean HousesLatin-American HousesMediterranean HousesMexican HousesMicrohousesMiddle-east HousesMountain HousesNarrow Urban HousesNew Zealand HousesParaguayan HousesPeruvian HousesPet HousesPolish HousesPortuguese HousesRestored HousesRomanian HousesScandinavian HousesSingle-family HousesSouth-East Asian HousesSpanish HousesSwiss HousesTree HousesTurkish Houses
- Ideas
- Alberto Campo Baeza. Varia ArchitectonicaAlfredo Pirri. Make and RemakeÁlvaro Siza. Time is the Best ArchitectBeniamino Servino. Monumental NeedBolles + Wilson. Tacuit et fecitCurvesDario Passi. Architecture DrawingsExplosionsFascinations for StructuresGiorgio Grassi DrawingsGrammar of the LimitIdeas for BridgesIdeas for BurialIdeas for Civic BuildingsIdeas for Coastal RedevelopmentIdeas for Conservation and ReuseIdeas for Cultural CentersIdeas for Domestic InteriorsIdeas for Health FacilitiesIdeas for HospitalityIdeas for HousesIdeas for Housing BlocksIdeas for Industrial FacilitiesIdeas for Installations and ExhibitionsIdeas for Interiors of Libraries Ideas for KindergartensIdeas for LandmarksIdeas for Landscape DesignIdeas for LibrariesIdeas for MemorialsIdeas for Micro ArchitectureIdeas for Mixed-Use & Business DistrictsIdeas for Mountain HutsIdeas for MuseumsIdeas for Office BlocksIdeas for Performing Arts BuildingsIdeas for Performing Arts SpacesIdeas for Public InteriorsIdeas for Public ParksIdeas for Religious BuildingsIdeas for Sacred SpacesIdeas for SchoolsIdeas for Spaces for ArtIdeas for Sport Venues Ideas for StadiumsIdeas for StairsIdeas for Streets & SquaresIdeas for Town HallsIdeas for Transportation FacilitiesIdeas for UniversitiesIdeas for Urban PlanningIl Cerchio - Homage to Bruno MunariIl Quadrato - Homage to Bruno MunariIl Triangolo - Homage to Bruno MunariImaginary LandscapesInsistence of NatureIsometric. Oblique DrawingLuca Galofaro. Atlas of NotesMontagesOrthogonal
- Materiality
- Plans & Details
- Private Interiors
- Apartment RenovationsAustralian InteriorsAustrian InteriorsAustrian Interiors - ViennaBathroomsBedroomsBelgian InteriorsBrazilian InteriorsBrick InteriorsBritish InteriorsBritish Interiors - LondonChinese InteriorsChinese Interiors - BeijingConcrete InteriorsDining RoomsDuplexDutch InteriorsDutch Interiors - AmsterdamEast European InteriorsFrench InteriorsFrench Interiors - ParisGerman InteriorsGerman Interiors - BerlinGreek InteriorsHome OfficesIndian InteriorsInteriorsIrish Interiors - DublinItalian InteriorsItalian Interiors - ApuliaItalian Interiors - CampaniaItalian Interiors - Emilia-RomagnaItalian Interiors - Friuli Venezia GiuliaItalian Interiors - LazioItalian Interiors - LiguriaItalian Interiors - LombardyItalian Interiors - MarcheItalian Interiors - MilanItalian Interiors - PiedmontItalian Interiors - RomeItalian Interiors - SardiniaItalian Interiors - SicilyItalian Interiors - Trentino Alto AdigeItalian Interiors - TurinItalian Interiors - TuscanyItalian Interiors - UmbriaItalian Interiors - VenetoItalian KitchensJapanese InteriorsJapanese Interiors - TokyoJapanese KitchensKitchensLatin-American InteriorsLiving RoomsLofts and PenthousesMachine à HabiterMiddle-East InteriorsMiddle-East Interiors - Tel AvivMountains InteriorsNorth-American InteriorsNorth-American Interiors - New York Portuguese InteriorsPortuguese Interiors - LisbonPortuguese Interiors - PortoReused for LivingSaunasScandinavian InteriorsSpanish InteriorsSpanish Interiors - Barcelona Spanish Interiors - MadridSpanish Interiors - ValenciaStone InteriorsSwiss InteriorsTropical InteriorsUn-private Interiors
- Public Interiors
- Topics
- AdditionsArchitects' NotebooksArchitectural DrawingsArchitectural ModelsArchitecture and WaterArchitecture Goes Wild Art and ArchitectureBell'ItaliaBelow Ground ZeroBeyond MinimalBrutalismBuilding HighBuilding in BetweenBuilding in LandscapeBuilding in Urban ContextBuilding TogetherBy NightCantilevers: Dialogues with GravityConcrete ExpressionsContainersCritical Conservation & Transformative ReuseDialogues with HistoryDon't get LostEnfiladesEphemeralExistenzminimumExtra SmallFolding ArchitectureForgotten & interruptedGoing PlacesHandmadeInflated ArchitectureInside ModernismInto the WildIs Ornament a Crime?Italian Beach HousesItalian DrawingsItalian Modern HeritageItalian RestorationsLa Biennale di VeneziaLabyrinthsLa Piazza ItalianaLess is More, More or LessLight & ShadowsLiteMade in ItalyMetropolisMilano Design WeekModern HeritageMountains ArchitectureNervi Factor Old MastersPetsPiranesi FactorPlaygroundsPortraitsPost-industrial ArchitecturePublic SittingRedundancyReflectionsReportagesRepurposed Recycled ReusedRestored and ReusedRural ModernitySchools of ArchitectureSeashore ArchitectureSequencesSilosSocialSubtractionTemporary GardensThe Fifth FacadeThe Informal CityTurning from Brown to GreenTypography & Architecture
- Types
- Administrative CentersAirportsApartment BlocksArchaeological ParksArenasBarsBeach FacilitiesBike StationsBoathouses and MarinasBus StopsCampingCar ParksCatwalksChapelsChurchesCinemasCity and Town HallsCivic CentersColleges and UniversitiesConcert HallsConvention CentersConvents, Monastries, ParishesCourthousesCovered SquaresCultural CentersDeck Access BlocksExhibit DesignExhibition and Fair CentersExpo PavilionsFair StandsFire & Police StationsFootbridgesFuneraryFunerary ChapelsGarages, Depots and WarehousesGarden StudiosGas Stations, Rest Areas and Toll GatesGreen and Scenic WalkwaysGreenhousesHeadquartersHospitals & Health CentersHostels and GuesthousesHotelsIndustrial BuildingsInstallationsItalian ChurchesKindergartens and Pre-schoolsLandscape DesignLibraries and MediathequesMaritime FacilitiesMemorialsMetro StationsMosquesMountain HutsMuseumsMusic Schools and Art AcademiesNursing HomesOffice BlocksOutdoor Performing Arts VenuesOutdoor Sports FieldsPavilionsPower PlantsPrimary SchoolsPrisons & Detention CentresPrivate GardensPublic and Social HousingResearch CentersResidential ComplexesRestaurantsRetail MarketsRow HousesScenographiesSecondary SchoolsShopping CentersSkateparksSmall Apartment BlocksSmall Urban GardensSport & Country ClubsSport HallsSquares & StreetsStadiumsStudent HousesSwimming PoolsSynagogues
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Why Atlas?
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WHY ATLAS?
May be because we wanted to distinguish divisare from the web that is condemned to a sort of vertical communication, always with the newest architecture at the top of the page, as the "cover story," "the focus."
Content that was destined, just like the oh-so-new architecture that had just preceded it a few hours earlier, to rapidly slide down, day after day, lower and lower, in a vertical plunge towards the scrapheap of page 2.
So we began to build divisare not vertically, but horizontally.
Our model was the bookcase, on whose shelves we have gathered and continue to collect hundreds and hundreds of publications by theme. Every Collection in our Atlas tells a particular story, conveys a specific viewpoint from which to observe the last 20 years of contemporary architecture. A long, patient job of cataloguing, done by hand: image after image, project after project, post after post. Behind all this there is the certainty that we can do better than the fast, distracted web we know today, where the prevailing business model is: "you make money only if you manage to distract your readers from the contents of your own site." With divisare we want to offer the possibility, instead, of perceiving content without distractions. No "click me," "tweet me, "share me,” "like me." No advertising. banners, pop—ups or other distracting noise.
It is a different idea of the web, which we might call slow web.
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- Selected Projects
- General Index
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New Issues
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Instead of the fast, distracting web, we prefer a slow, careful one. Instead of information hastily received, we prefer knowledge calmly absorbed. This is why we love to publish books and encourage you to put down your device, grab a cup of coffee, and enjoy a high-quality read the old-fashioned way.
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Bestsellers Books
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Divisare Books are not available at bookstores or elsewhere. The only way to get your issue is to buy it here. All of our issues are extremely limited editions. Don’t be late!
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Latest Box Set
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TALKS
ABOUT “TALKS” Architecture is also made of words. Coordinated by Valerio Paolo Mosco, the series Talks acts precisely as an open forum for the words of architects, without any preset themes or limitations. We are condemned to adapt to a state of affairs: to fill the gaps that are inevitably created with words. This is what it means to be modern: being postmodern means even more. After all, without a convention, at the mercy of (real or imagined) freedom, we find ourselves having to operate in terms of a constant investigation of our operating, which is inevitably translated into words. It is as if architects themselves (but even more so, artists) were forced to shore up the elements and themes of their work with theoretical props. Upon closer inspection – and this should be particularly thought-provoking – these props as a whole simply set limits for operation. No poetics can exist without limits, without an enclosure in which it can be restrained. One might object to this by saying that almost 100 years ago, in the period of splendor of the avant-gardes, the dominant ideology was precisely that of having no limits. But many years have passed, and the lack of limits has translated not only into repetitive confusion (Leo Longanesi said: “nothing is more repetitive than the avant-gardes”), but also into formal posturing at the service of the most indulgent sort of consumption. Therefore writing, or the setting of reasoned limits on one’s own endeavor, has become an increasingly necessary action, almost a form of resistance to that formal entropy that for years now has run the risk of sucking architecture into the realm of forgettable things. We have decided to package the words of the architects invited to take part in Talks in slipcases, each containing five contributions, providing an opportunity for comparison among the various authors. We like to think that this confrontation can resemble a symposium in which – as in the work by Plato – each speaker can present his own interpretation: for Plato the theme was love, while for Divisare – somewhat more subduedly – it is architecture.
Buy Now
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Bestsellers Box Set
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TALKS
ABOUT “TALKS” Architecture is also made of words. Coordinated by Valerio Paolo Mosco, the series Talks acts precisely as an open forum for the words of architects, without any preset themes or limitations. We are condemned to adapt to a state of affairs: to fill the gaps that are inevitably created with words. This is what it means to be modern: being postmodern means even more. After all, without a convention, at the mercy of (real or imagined) freedom, we find ourselves having to operate in terms of a constant investigation of our operating, which is inevitably translated into words. It is as if architects themselves (but even more so, artists) were forced to shore up the elements and themes of their work with theoretical props. Upon closer inspection – and this should be particularly thought-provoking – these props as a whole simply set limits for operation. No poetics can exist without limits, without an enclosure in which it can be restrained. One might object to this by saying that almost 100 years ago, in the period of splendor of the avant-gardes, the dominant ideology was precisely that of having no limits. But many years have passed, and the lack of limits has translated not only into repetitive confusion (Leo Longanesi said: “nothing is more repetitive than the avant-gardes”), but also into formal posturing at the service of the most indulgent sort of consumption. Therefore writing, or the setting of reasoned limits on one’s own endeavor, has become an increasingly necessary action, almost a form of resistance to that formal entropy that for years now has run the risk of sucking architecture into the realm of forgettable things. We have decided to package the words of the architects invited to take part in Talks in slipcases, each containing five contributions, providing an opportunity for comparison among the various authors. We like to think that this confrontation can resemble a symposium in which – as in the work by Plato – each speaker can present his own interpretation: for Plato the theme was love, while for Divisare – somewhat more subduedly – it is architecture.
Buy Now
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About Divisare Books
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INTRODUCING DIVISARE BOOKS
We tried. Lord knows we tried. But after more than 20 years spent in the transient, fleeting and contingent world of the internet no amount of pivoting or faking could squeeze a proudly independent online magazine into a conventional printed periodical.
So if you expect a traditional architecture magazine, DIVISARE BOOKS is not for you. But if you're looking for something more fluid and flexible, you may be open and inquiring enough to appreciate the work we are doing.
DIVISARE BOOKS is a high-quality, independent editorial project, a modular publication dedicated to architecture documents, a constantly growing archipelago of monographic issues each tackling a different topic: drawings collections, photographic surveys, visual essays, short writings, projects, etc.VERY LIMITED EDITIONS
All of our issues are extremely limited editions. Don’t be late!ON PAPER ONLY
Our editorial project it’s about switching off and getting away from the screen. That’s why we don’t offer a digital version.CAREFULLY PRINTED
Printed with vegetable inks on 100% recycled Cyclus Offest thick paper. It even smells good.SOLD EXCLUSIVELY FROM DIVISARE.COM
Not available at bookstores or elsewhere. The only way to get your issue is to buy it at divisare.com.PROUDLY MADE IN ROME, DELIVERED FROM BERLIN
Our editorial project is published and printed in Rome. Each issue is shipped in strong corrugated cardboard box out of our distribution centre based in Berlin, Germany.FREE WORLDWIDE SHIPPING
All of our prices include shipping to anywhere in the world.
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Get 40% Off With Bulkpack
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CREATE YOUR BULK PACK WITH 10 DIVISARE BOOKS AND GET 35% DISCOUNT ON THE COVER PRICE
FREE WORLDWIDE SHIPPING: All of our prices include shipping to anywhere in the world.
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GET 35% OFF: 10 issues at your choice for just 52,00 €. 35% discount on the cover price.
STRONG PACKAGING: The strong corrugated cardboard is pre-creased for easy and secure wraparound packaging.
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Create Your Box Set and get 7% off
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CREATE YOUR OWN BOX SET WITH 5 BOOKS AND GET THE CASE FOR FREE
Italian Handmade slipcase, 1500 Microns Board Covered with Graphite Wibalin Buckram, a strong, durable paper covering material produced in Switzerland. Inside: Arancio Sirio Fedrigoni produced in Italy. The case is finished with the DIVISARE logo hot stamped in silver.
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- Divisare Books Catalogue
- Box Sets Catalogue
