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  • GIOVANNI MUZIO - CÀ BRUTTA MILANO 1922
  • GIOVANNI MUZIO - CÀ BRUTTA MILANO 1922
  • GIOVANNI MUZIO - CÀ BRUTTA MILANO 1922
  • GIOVANNI MUZIO - CÀ BRUTTA MILANO 1922
  • GIOVANNI MUZIO - CÀ BRUTTA MILANO 1922
  • GIOVANNI MUZIO - CÀ BRUTTA MILANO 1922
  • GIOVANNI MUZIO - CÀ BRUTTA MILANO 1922
  • GIOVANNI MUZIO - CÀ BRUTTA MILANO 1922
  • GIOVANNI MUZIO - CÀ BRUTTA MILANO 1922

GIOVANNI MUZIO - CÀ BRUTTA MILANO 1922

PHOTO ESSAY BY LUCA SIRONI

From the Publisher

From its early days, architectural photography has been a fundamental tool for the documentation of architecture, the city and the landscape, communicating with a vast audience. But things are changing rapidly today and the role of photographers is becoming more complex: their images do not only document, but to an increasing extent also interpret constructed space. There is less discussion and less writing about contemporary architecture. The visual languages are quickly filling the gap. Narrations in images by photographers are taking on a fundamental role, day by day, for the comprehension and transmission of contemporary architecture. These very personal interpretations can have a decisive impact on our perception of constructed space. This series examines architectural photographers who through their “lenses” are able to offer us privileged “viewpoints” for a better understanding of the space in which we live.

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GIORGIO GRASSI  HOUSE FOR FOUR BROTHERS MIGLIANICO 1978
DONATO BRAMANTE TEMPIETTO DI SAN PIETRO IN MONTORIO ROMA 1510 PHOTO ESSAY BY NICOLÒ GALEAZZI
ALBERTO CAMPO BAEZA  TURÉGANO HOUSE POZUELO MADRID
LOUIS I. KAHN  SALK INSTITUTE LA JOLLA 1959  PHOTO ESSAY BY AGNÈS CLOTIS
ALBERTO CAMPO BAEZA GASPAR HOUSE VEJER CÁDIZ
LOUIS I. KAHN PHILLIPS EXETER ACADEMY LIBRARY 1965  PHOTO ESSAY BY CEMAL EMDEN
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