divisare

  • DORTE MANDRUP: WADDEN SEA CENTRE
  • DORTE MANDRUP: WADDEN SEA CENTRE
  • DORTE MANDRUP: WADDEN SEA CENTRE
  • DORTE MANDRUP: WADDEN SEA CENTRE
  • DORTE MANDRUP: WADDEN SEA CENTRE
  • DORTE MANDRUP: WADDEN SEA CENTRE
  • DORTE MANDRUP: WADDEN SEA CENTRE
  • DORTE MANDRUP: WADDEN SEA CENTRE
  • DORTE MANDRUP: WADDEN SEA CENTRE
  • DORTE MANDRUP: WADDEN SEA CENTRE
  • DORTE MANDRUP: WADDEN SEA CENTRE
  • DORTE MANDRUP: WADDEN SEA CENTRE
  • DORTE MANDRUP: WADDEN SEA CENTRE
  • DORTE MANDRUP: WADDEN SEA CENTRE

DORTE MANDRUP: WADDEN SEA CENTRE

PHOTO ESSAY BY ALDO AMORETTI

From the Publisher

From its early days, architectural photography has been a fundamental tool for the documentation of architecture, the city and the landscape, communicating with a vast audience. But things are changing rapidly today and the role of photographers is becoming more complex: their images do not only document, but to an increasing extent also interpret constructed space. There is less discussion and less writing about contemporary architecture. The visual languages are quickly filling the gap. Narrations in images by photographers are taking on a fundamental role, day by day, for the comprehension and transmission of contemporary architecture. These very personal interpretations can have a decisive impact on our perception of constructed space. This series examines architectural photographers who through their “lenses” are able to offer us privileged “viewpoints” for a better understanding of the space in which we live.

Save this Book in your Reading List
DARIO PASSI LES HALLES PARIS 1979
PICHARCHITECTS: SANT PAU RESEARCH INSTITUTE PHOTO ESSAY BY ALDO AMORETTI
DARIO PASSI  PIAZZA MANCINI  ROME 1981
LOUIS I. KAHN  YALE CENTER FOR BRITISH ART 1969  PHOTO ESSAY BY CEMAL EMDEN
2001. HERCULE. MONDORF PHOTO ESSAY BY MAXIME DELVAUX
E2A   TAZ HEADQUARTERS BERLIN 2018 PHOTO ESSAY BY RORY GARDINER
×