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  • 2001. MJP. DIFFERDANGE
  • 2001. MJP. DIFFERDANGE
  • 2001. MJP. DIFFERDANGE
  • 2001. MJP. DIFFERDANGE
  • 2001. MJP. DIFFERDANGE
  • 2001. MJP. DIFFERDANGE
  • 2001. MJP. DIFFERDANGE
  • 2001. MJP. DIFFERDANGE
  • 2001. MJP. DIFFERDANGE
  • 2001. MJP. DIFFERDANGE
  • 2001. MJP. DIFFERDANGE

2001. MJP. DIFFERDANGE

PHOTO ESSAY BY MAXIME DELVAUX

From the Publisher

From its early days, architectural photography has been a fundamental tool for the documentation of architecture, the city and the landscape, communicating with a vast audience. But things are changing rapidly today and the role of photographers is becoming more complex: their images do not only document, but to an increasing extent also interpret constructed space. There is less discussion and less writing about contemporary architecture. The visual languages are quickly filling the gap. Narrations in images by photographers are taking on a fundamental role, day by day, for the comprehension and transmission of contemporary architecture. These very personal interpretations can have a decisive impact on our perception of constructed space. This series examines architectural photographers who through their “lenses” are able to offer us privileged “viewpoints” for a better understanding of the space in which we live.

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This book is also available as part of this box set
2001.
HANS VAN DER HEIJDEN  PERSOONSHAVEN ROTTERDAM 2018
ALBERTO CAMPO BAEZA DE BLAS HOUSE SEVILLA LA NUEVA MADRID 2000
GEORG SIMMEL  ROME, FLORENCE, VENICE
ALBERTO CAMPO BAEZA MOLINER HOUSE ZARAGOZA 2008
2001. JOYPARK. RUMELANGE PHOTO ESSAY BY MAXIME DELVAUX
MAHENDRA RAJ & RAJ REWAL HALL OF NATIONS AT PRAGATI MAIDAN NEW DELHI 1972  PHOTO ESSAY BY ARIEL HUBER
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