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  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE
  • 2001. FANY. DUDELANGE

2001. FANY. DUDELANGE

PHOTO ESSAY BY MAXIME DELVAUX

From the Publisher

From its early days, architectural photography has been a fundamental tool for the documentation of architecture, the city and the landscape, communicating with a vast audience. But things are changing rapidly today and the role of photographers is becoming more complex: their images do not only document, but to an increasing extent also interpret constructed space. There is less discussion and less writing about contemporary architecture. The visual languages are quickly filling the gap. Narrations in images by photographers are taking on a fundamental role, day by day, for the comprehension and transmission of contemporary architecture. These very personal interpretations can have a decisive impact on our perception of constructed space. This series examines architectural photographers who through their “lenses” are able to offer us privileged “viewpoints” for a better understanding of the space in which we live.

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This book is also available as part of this box set
2001.
GIORGIO GRASSI  HOUSE FOR FOUR BROTHERS MIGLIANICO 1978
LOUIS I. KAHN  YALE CENTER FOR BRITISH ART 1969  PHOTO ESSAY BY CEMAL EMDEN
6A ARCHITECTS  JUERGEN TELLER STUDIO LONDON 2016  PHOTO ESSAY BY JOHAN DEHLIN
GIOVANNI MUZIO CASA DEI GIORNALISTI MILANO 1936  PHOTO ESSAY BY LUCA SIRONI
VECTOR ARCHITECTS  SEASHORE LIBRARY QINHUANGDAO SHI 2016  PHOTO ESSAY BY SU SHENGLIANG
JOHANSEN SKOVSTED ARKITEKTER: TIPPERNE BIRD SANCTUARY & PUMP STATIONS PHOTO ESSAY BY ALDO AMORETTI
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