divisare

  • GIOVANNI MUZIO CASE IN VIA GONZAGA MILANO 1952
  • GIOVANNI MUZIO CASE IN VIA GONZAGA MILANO 1952
  • GIOVANNI MUZIO CASE IN VIA GONZAGA MILANO 1952
  • GIOVANNI MUZIO CASE IN VIA GONZAGA MILANO 1952
  • GIOVANNI MUZIO CASE IN VIA GONZAGA MILANO 1952
  • GIOVANNI MUZIO CASE IN VIA GONZAGA MILANO 1952
  • GIOVANNI MUZIO CASE IN VIA GONZAGA MILANO 1952
  • GIOVANNI MUZIO CASE IN VIA GONZAGA MILANO 1952
  • GIOVANNI MUZIO CASE IN VIA GONZAGA MILANO 1952

GIOVANNI MUZIO CASE IN VIA GONZAGA MILANO 1952

PHOTO ESSAY BY LUCA SIRONI

From the Publisher

From its early days, architectural photography has been a fundamental tool for the documentation of architecture, the city and the landscape, communicating with a vast audience. But things are changing rapidly today and the role of photographers is becoming more complex: their images do not only document, but to an increasing extent also interpret constructed space. There is less discussion and less writing about contemporary architecture. The visual languages are quickly filling the gap. Narrations in images by photographers are taking on a fundamental role, day by day, for the comprehension and transmission of contemporary architecture. These very personal interpretations can have a decisive impact on our perception of constructed space. This series examines architectural photographers who through their “lenses” are able to offer us privileged “viewpoints” for a better understanding of the space in which we live.

Save this Book in your Reading List
GIO PONTI: A CRITICAL CONSIDERATION BY JOSEPH RYKWERT
ALBERTO CAMPO BAEZA  TURÉGANO HOUSE POZUELO MADRID
DARIO PASSI  LANEROSSI AREA  SCHIO 1980
GIOVANNI MUZIO - CÀ BRUTTA MILANO 1922 PHOTO ESSAY BY LUCA SIRONI
ALBERTO CAMPO BAEZA DE BLAS HOUSE SEVILLA LA NUEVA MADRID 2000
LOUIS I. KAHN THE ARTS UNITED CENTER IN FORT WAYNE 1959  PHOTO ESSAY BY CEMAL EMDEN
×