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L'Étoile, scène de Mouvaux

The poetics of geometry
The grammar of this design is conditioned by the geometry of the plot of land, from which, like a stylistic device, ‘serial’ leitmotifs are born, initiating countless variations, as in the art of Sol LeWitt. Here, the two concrete volumes on either side of the fault line are pierced with glazed trapezoid panels and these motifs are also indented into the building’s blind walls, notably those housing the main performance hall. The conference hall forms a sharp point and the entrance from the forecourt is heralded by a vast glazed triangle.

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