In a delicate 18th century context where the materials are perfectly balcanced one with the other, nothing should be changed, and nothing should be added. The necessity to reconnect the two part of the building generate then a paradox.
The materials of this project aim to solve it, conceptualizing the diasppereance of architecture through its material consistency. When the architecture create a physic limit, then occour the mirror prestige. The idea is to make the added elements disappear, reflecting the existing materials and forms, its one and only recognizability is due to the deformation of the reflected images. In turn, this create a picturesque effect, related to the the 18th century landscape design.