divisare

  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG

SU SHENGLIANG

WUYISHAN BAMBOO RAFT FACTORY

TRACE ARCHITECTURE OFFICE

From the Publisher

Architectural photography is now one of the most important mediums for recording, documenting, communicating and sharing architecture and constructed space. It is able to convey the dimensions and character of a place, as well as the emotions associated with it. An architectural publication would be unthinkable without such images.

This issue of DIVISARE BOOKS is part of series investigating the contemporary realm of Chinese architecture and the multiple ways it is reinventing a recognizable cultural common ground. An architectural journey driven by the lens of outstading photographers and their visual narrations of built spaces, strong materiality and intangible feelings.

The photo essay by SU Shengliang explores the architectural space of a manufacturing workshop in Shandong province, China, designed by TAO (Trace Architecture Office).

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JOSÉ HEVIA SALES A TRAVÉS UNPARELLD'ARQUITECTES
ÅKE E:SON LINDMAN KROKHOLMEN HOUSE THAM & VIDEGÅRD ARKITEKTER
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JOSÉ HEVIA ST. MIQUEL 19 CARLES OLIVER
GIORGIO MURATORE THE FORMS AND THE GHOSTS OF THE CITY
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