Architectural firm founded in Sicily in 2015 by Claudia Cosentino, Dario Felice and Antonio Rizzo, operating within the fields of architecture, urban design and landscape, the production of furniture and curatorial practice. The Office addresses the contemporary design themes experimenting with new forms of living in close relation to the places, in the ongoing processes, resources, needs and constraints. In 2015 the office win the international competition for the redevelopment of the coastal linear park of the Dionysian walls in Siracusa and made two inflatable architectures, “Lorenzo’s Pimple” in Rome and “The pill Benjamin” in Venice. In 2016 it get the second prize at AAA Architetti Cercasi contest in Bari; exhibits at the pavilion Venice at the Biennale di Venezia the project “Mar gh’era 2222” on the occasion of the XV International Exhibition of Architecture and it realized “RAFT” a new exhibition space for Farm Cultural Park in Favara; It was selected for IFLA 2016 with the project “Il gioco del pino rosso” and made “2030 + 2C” for Legambiente in Florence, an inflatable architecture for raising awareness on climate change. Designs and manufactures two holidays homes, ZAHARA contemporary hosting in the piana di Catania; Pasitea in the historic center of Siracusa, and a private home in Acireale. In 2017 it realizes the exhibition set-up “Intruso” for the exhibition “Invisible Architecture” at Rita Elvira Adamo at the Museo Carlo Bilotti in Rome. He has lectured at the University degli studi di Catania, at the Politecnico di Torino, the Università IUAV di Venezia and at the SOU - Children’s School of Architecture at Farm Cultural Park in Favara. Among the current researches the most significant concerns the inflatable architecture, renewing the forms and the classical instruments, redefining individual and collective spaces, acting as a catalyst capable of powering unusual happenings inside and amazing interactions with the environment. The inflatable architecture simultaneously celebrates the pure form and its negation, the formless, shapeless with its deformation; it represents the absolute form, indifferent to contexts, and the indefinite shape that fits the existing preserving and opening up to new relationships.