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  • LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962
  • LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962
  • LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962
  • LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962
  • LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962
  • LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962
  • LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962
  • LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962
  • LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962
  • LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962
  • LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962

LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962

PHOTO ESSAY BY CEMAL EMDEN

From the Publisher

From its early days, architectural photography has been a fundamental tool for the documentation of architecture, the city and the landscape, communicating with a vast audience. But things are changing rapidly today and the role of photographers is becoming more complex: their images do not only document, but to an increasing extent also interpret constructed space. There is less discussion and less writing about contemporary architecture. The visual languages are quickly filling the gap. Narrations in images by photographers are taking on a fundamental role, day by day, for the comprehension and transmission of contemporary architecture. These very personal interpretations can have a decisive impact on our perception of constructed space. This series examines architectural photographers who through their “lenses” are able to offer us privileged “viewpoints” for a better understanding of the space in which we live.

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GIORGIO GRASSI  HOUSE FOR FOUR BROTHERS MIGLIANICO 1978
GIOVANNI MUZIO QUARTIERE INA MILANO 1964  PHOTO ESSAY BY LUCA SIRONI
LOUIS I. KAHN THE ARTS UNITED CENTER IN FORT WAYNE 1959  PHOTO ESSAY BY CEMAL EMDEN
ALBERTO CAMPO BAEZA  TURÉGANO HOUSE POZUELO MADRID
BUCHNER BRÜNDLER ARCHITEKTEN LILITT BOLLINGER STUDIO   UMBAU KIRSCHLAGER NUGLAR 2018 PHOTO ESSAY BY RORY GARDINER
2001. MEDIK. KAYL PHOTO ESSAY BY MAXIME DELVAUX
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