From 11 February to 14 May 2017, the Vitra Design Museum presents a major exhibition that examines the current boom in robotics in detail for the first time.
Hello, Robot. Design between Human and Machine comprises more than 200 exhibits from the fields of design and art and includes robots used in the home, in nursing care, and in industry as well as computer games, media installations, and examples of films and literature in which robots feature. It shows the wide variety of forms that robotics takes today and at the same time broaden our awareness of the associated ethical, social, and political issues.
Hello, Robot. introduces us to robots in four steps. The first section of the exhibition traces the fascination that artificial humans have long exerted on people in the modern age and looks at how popular culture has shaped our perception of robots.
The second section is devoted to the field in which robotics first made a breakthrough: industry and the world of work. Whereas robots are typically perceived in this context as a threat to jobs, Hello, Robot. looks at the current debate on this subject from a number of very different perspectives. The spectrum of exhibits ranges here from classic industrial robots to an installation by the group RobotLab, in which a robot produces manifestos on a production line, thus questioning where the boundary lies between work that can be automated and human creativity.
The third section of the exhibition shows how we are gradually coming face to face with the new technology – as a friend and helper in our everyday lives, in our households, in nursing care, as a digital companion, or even in cybersex.
The fourth section looks at the increasing blurring of the boundaries between humans and robots – exemplified by our living in »learning« buildings, travelling through »smart cities«, or having smart sensors implanted in our bodies.
Outside the museum, the Elytra Filament Pavilion complements the exhibition. This bionic baldachin is an impressive example of the growing influence of robotics on architecture. The individual modules were defined by an algorithm and then produced with the help of an industrial robot. The pavilion was realised by a team from the University of Stuttgart that included Achim Menges and has already been shown at the Victoria & Albert Museum in London.
Hello, Robot. shows the ambivalence with which the spread of robotics has been viewed for many decades. Right from the start, the debate about artificial intelligence has oscillated between utopian and dystopian visions, between the hope of a better, technologically advanced world and the fear of disempowerment. In this context, we are once again confronted with the question of the designer’s responsibility.
The controversy about the right approach to robotics is reflected in fourteen questions that guide the viewer through the exhibition as a kind of leitmotif. They invite visitors to reflect on their own attitudes to new technology and show how closely linked the opportunities and risks attendant on robotics often are. For while robotics has become more approachable, more personal, more essential even, the question remains: Does it make our world any better?